{"id":699,"date":"2016-12-09T20:20:14","date_gmt":"2016-12-09T20:20:14","guid":{"rendered":"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=699"},"modified":"2016-12-10T16:09:55","modified_gmt":"2016-12-10T16:09:55","slug":"09-12-16-happy-birthday-los-van-van-a-historical-view-of-almost-5-decades-of-defining-cuban-music","status":"publish","type":"post","link":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/?p=699","title":{"rendered":"09.12.16 : Happy birthday Los Van Van! a historical view of almost 5 decades of defining Cuban music!"},"content":{"rendered":"<p>Good day dear readers, listeners and blog followers!<\/p>\n<p>Today we have a special post, dedicated to yet another, the 47th, anniversary of the founding of the legendary Los Van Van (December 4th 1969) !<\/p>\n<p>But before we get into the history of the band and its tremendous impact on contemporary Cuban music, I would like to dedicate today&#8217;s post to gran maestro <a href=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=297\">Juan Formell<\/a>, who passed away on May day 2014&#8230; this is the 3rd time that the band&#8217;s anniversary is celebrated without its founding father, which is indeed quite sad&#8230; so let&#8217;s take a minute of silence in his memory&#8230;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full\" src=\"http:\/\/latinfo.hu\/wp-content\/uploads\/2014\/05\/jf2.jpg\" width=\"1024\" height=\"1458\" \/><\/p>\n<p>Today&#8217;s post will be\u00a0by far an incomplete analysis of Van Van&#8217;s discography, history or style, and thus doesn&#8217;t even attempt to be any of that; on the contrary, it is a humble attempt to look at the\u00a0band&#8217;s development over the years, taking notes of compositions that I find influential from a historical point of view&#8230; or just personal favorites of mine for Van Van&#8217;s long long discography \ud83d\ude09<\/p>\n<p>So now, let&#8217;s get to it!<\/p>\n<p><img loading=\"lazy\" class=\"size-full aligncenter\" src=\"http:\/\/www.montunocubano.com\/Tumbao\/images\/Groupes\/Van%20Van,%20Los\/Van%20Van%2069.jpg\" width=\"354\" height=\"258\" \/><img loading=\"lazy\" class=\"size-full aligncenter\" src=\"http:\/\/www.montunocubano.com\/Tumbao\/images\/Groupes\/Reve,%20Orquesta\/Reve%20orquesta1.jpg\" width=\"354\" height=\"177\" \/><\/p>\n<p>Los Van Van was founded on December 4th, 1969, by Juan Formell, <a href=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=82\">Cesar &#8220;pupy&#8221; Pedroso<\/a>, Miguel Angel Rasalps &#8220;lele&#8221; (yes, his son is one of Van Vans&#8217; lead singers in recent years) and others.<br \/>\nBefore starting his own band, Formell worked for several years as the musical director, arranger and bassist for <a href=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=29\">Orquesta Reve<\/a>, where he first\u00a0concocted what was initially called &#8220;Changui 68&#8221;, then &#8220;Changui Shake&#8221; and later &#8220;Songo&#8221;, a unique highly innovative, sophisticated and revolutionary\u00a0personal musical style, which will change contemporary Cuban music forever in the years to come&#8230;<\/p>\n<p>A good example of this early Formell style is Reve&#8217;s &#8220;el Martes&#8221;, that would later also appear on some of Van Van&#8217;s collections and compilations<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/a6PxsYGZdQw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Formell&#8217;s musical style had several features which make it unique and influential.<br \/>\nFirst, it was, for the time of its creation, another step in the long lasting musical tradition found in Cuban music &#8211; mixing various sources and traditional Cuban musical styles, incorporating elements of different authentic directions creating something new which is &#8220;the same but different&#8221;.<br \/>\nOne can see this tradition back centuries with the &#8220;Contradanza Criolla&#8221; (Habanera), and later Danzon, which had implicit elements of Afro Cuban tradition in them at times when this was socially unacceptable.<br \/>\nAnother good example is the trend of early urban Son compositions, like those made by Sexteto Habanero during the 1920s, and later Son Montuno and Guaguanco-Son that were created by Arsenio Rodriguez in the 1930&#8217;s and 1940&#8217;s.<br \/>\nAll those incorporate more and more elements of Afro-Cuban traditions in popular, Son and Danzon based music&#8230; without calling them that, of course, as this was socially unacceptable, and could even get you in trouble during those days of racial segregation enforced by American authorities in control since 1898.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full\" src=\"https:\/\/img.discogs.com\/WFY5Z4jA7zOXdCMrSshEmi2AQuE=\/fit-in\/600x592\/filters:strip_icc():format(jpeg):mode_rgb():quality(90)\/discogs-images\/R-4658891-1371334949-9148.jpeg.jpg\" width=\"600\" height=\"592\" \/><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full\" src=\"https:\/\/elnegroguacoche.files.wordpress.com\/2015\/04\/perlas-cubanas-necesito-una-mujer-cocinera.jpg\" width=\"460\" height=\"460\" \/><\/p>\n<p>Other notable examples would from the 1960&#8217;s, with the first 2 styles of Cuban music made after the revolution; Pacho Alonso&#8217;s Pilon and Pello el Afrokan&#8217;s Mozambique, that also were mixes of modern styles and instrumentation of Mambo and Son Montuno with various (especially percussive) elements of different Afro Cuban rhythms such as Bata, Congo, Guaguanco and Conga de Comparsa.<br \/>\nIn his style Formell did exactly the same, bringing together more and more elements of Rumba and later Yoruba into one huge mix that already included elements of Danzon based music, mainly played by Charanga type orchestras but also included some elements drawn from Son based music, typically played by Conjunto type orchestras (one should recall that the 2 types were already mixed to an extent, as I explained at a <a href=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=676\">previous post on the subject of Charangas and Conjuntos<\/a>).<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full\" src=\"http:\/\/img.cdandlp.com\/2015\/06\/imgL\/117569118-2.jpg\" width=\"1024\" height=\"1024\" \/><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full\" src=\"http:\/\/img.cdandlp.com\/2015\/06\/imgL\/117571264.jpg\" width=\"1024\" height=\"1024\" \/><\/p>\n<p>The 2nd, and maybe most important, innovation that Formell and Los Van Van are\u00a0responsible for is the introduction of new, never heard of before, musical instruments, into contemporary Cuban music.<br \/>\nThis includes electric and amplified instruments such as electric guitars, bass and synthesizers.<br \/>\nAlso, Jose Luis Quintana, better known as &#8220;Changuito&#8221;, who during the early 1970s created a unique, personal version of the drum kit, as these were not available in Cuba at the time.<br \/>\nChanguito was also one of the first to include the use of Bata drums in contemporary Cuban music, and with both those &#8220;inventions&#8221; created the new percussive sound of Songo, which would later be very influential in Timba music.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full\" src=\"http:\/\/thumbs4.picclick.com\/d\/w1600\/pict\/262587547683_\/JUAN-FORMEL-LOS-VAN-VAN-LP-CUBA.jpg\" width=\"1600\" height=\"1200\" \/><\/p>\n<p>The 3rd important contribution of Formell and Van Van to future Cuban music was, just like the traditions of authentic genre mixing mentioned above, use of layered harmonies, at times also played by rhythm instruments (and this, especially for the bass, is also an element that would be greatly amplified by many musician during the &#8220;epoca de oro&#8221; of Timba later on&#8230;) and also lyrics with social context reflecting the occurrences\u00a0of the time in Cuba.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full\" src=\"https:\/\/i.ytimg.com\/vi\/_-J1D4rnvzo\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><\/p>\n<p>And now, after understanding the importance of Los Van Van a bit better, let&#8217;s get to the &#8220;historic countdown&#8221;.<\/p>\n<p><span style=\"text-decoration: underline;\">The first decade, 1969 &#8211; 1979<\/span><\/p>\n<p>Los Van Van&#8217;s first album came out in 1969, and was simply called &#8220;Los Van Van&#8221;.<br \/>\nLater it would be called &#8220;Volume I&#8221;, as the band (like most other bands in Cuba at that time, for some reason) would not release any albums until the early 1980&#8217;s.<br \/>\nIt was a direct continuation of Formell&#8217;s personal unique charanga style, created during the late 1960&#8217;s, a\u00a0representative song for which can be\u00a0&#8220;el Martes&#8221; mentioned above, and also &#8220;<a href=\"http:\/\/www.youtube.com\/watch?v=Rg1FRjsPNgk\">Yuya Martinez<\/a>&#8220;.<br \/>\nMy personal favorite composition from that album is not a songo or a Changui 68 (although both &#8220;<a href=\"http:\/\/www.youtube.com\/watch?v=ef40vFrKAOg\">Fracase<\/a>&#8221; and &#8220;<a href=\"http:\/\/www.youtube.com\/watch?v=YWhqHEx-NdI\">la Lucha<\/a>&#8221; would be honorable mentiones), but rather a lyrical Bolero-Son called &#8220;Marilu&#8221;, whose mellow and romantic style really caught my ear, and from what I know, will be one of the audience&#8217;s favorite in the band&#8217;s concerts for many years to come (especially later on, sung by the amazing <a href=\"https:\/\/www.youtube.com\/watch?v=beW85ojBLlo\">Pedrito Calvo<\/a>&#8230;) :<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/ABlF7MmjWyg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>As the 1970s progressed, Van Van released more and more singles, that over time were united into compilations, or volumes, going from II to IV as the decade went on and the Songo musical style developed along with it.<br \/>\nDuring that time some of the most well known, loved and influential Songo compositions came into existence, and can now be found on the various volumes released during that time.<\/p>\n<p>If one wishes to truly hear the early Songo in its finest, and can only choose 2, one should listen to &#8220;Aqui se enciende la Candela&#8221; (also <a href=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=453\">covered by Pupy y LQSS last year<\/a>) and Chirrin Chirran; these 2 are as representative as Songo gets, with electric bass, piano and guitar, great Rumbaesque percussion mixed with Changuito&#8217;s unique drum set and topped with the wonderful catchy harmonies of flutes and violins that are all over the place (in a good sense!)&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/1X-iuspNsd8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/CVEu0FTIPk0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>An interesting piece from that time also worth mentioning in my opinion is a 9 minute + medley called &#8220;Llegue llegue \\ Guararey de Pastora&#8221;, which combines an original Van Van Songo composition (the first part) with a traditional Changui classic (the 2nd part) infused with Van Van&#8217;s style of that time&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/8zlxoNjpZso\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>A last honorable mention for this time would be a less known one&#8230; well, maybe <a href=\"https:\/\/www.youtube.com\/watch?v=JDIltBV78MA\">until recently<\/a>&#8230; and that is a great Songo called &#8220;Es Mucho&#8221;, and features the amazing flute playing of Jose Luis Cortes and the great vocals of the young Pedrito Calvo among other strong points.<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/YB-8Y1kQt84\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"text-decoration: underline;\">The first album decade, or Los Van Van during the 1980s (1980-1989)<\/span><\/p>\n<p>This is the time when most Cuban bands started releasing complete albums once more, and boy, there sure are some great albums from that time!<br \/>\nBut let us focus on Van Van, as it is their birthday week&#8230;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full\" src=\"http:\/\/2.bp.blogspot.com\/-yjpYOzI9lOc\/U2U1jpp-euI\/AAAAAAAAMfk\/vWqBwIiunBQ\/s1600\/R-4182501-1357920324-8436.jpg\" width=\"600\" height=\"610\" \/><\/p>\n<p>Our first hit comes right from 1980, from Volume IV, and is one of the first releases of that era containing strong and very noticeable Rumba influences, with about half of the song being a Guaguanco from A to Z.<br \/>\nThis song will be covered several times later, will become a dance floor favorite, and will be the opening shot of a &#8220;genre&#8221; nicknamed &#8220;orchestrated Rumba&#8221;, also setting the stage for the resurgence of Rumba and Afro themes in popular Cuban music during that decade and ever since&#8230; for those who haven&#8217;t yet guessed, I&#8217;m talking about &#8220;De la Habana a Matanzas&#8221;!<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/HAV4xZFnyAE\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The next album, released in 1982, was Van Van&#8217;s great &#8220;rise to fame&#8221; of the decade, with the album&#8217;s title track &#8220;el Baile del Buey Cansao&#8221; (the album is also sometimes called &#8220;bailando! eh! ah!), a mix of conga and son that will quickly become a hit for decades to come, skyrocketing the band to the top of Cuba&#8217;s charts&#8230; and it even had its own dance!<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/NTHMQwyd7ig\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>More in the Songo &amp; casino friendly vein is the next song, which will also be covered several times later.<br \/>\nThis is Hoy se Cumple Seis Semanas, featuring the unique vocals of Israel Kantor Sardinas, who will sing with the band for only a couple of years before defecting to the USA&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/o0piVKs9Qkg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The year 1983 brought with it the album &#8220;<a href=\"https:\/\/www.youtube.com\/watch?v=u629JCyHakE\">Que Pista<\/a>&#8220;.<br \/>\nExcept the fine title track and one major hit I will mention shortly, it also contains an interesting injection of Palo tradition into Songo in the form of the composition named &#8220;Que Palo es Ese&#8221;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/kJYy_bFDPGQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The hit song I mentioned above, that instantly became one of the &#8220;anthems&#8221; of Songo and contemporary Cuban music as a whole, is, of course, Sandunguera, also known as Por Encima del Nivel.<br \/>\nThis song is considered to be one of the band&#8217;s greatest songs of all times, containing fascinating Clave manipulations, Pedrito&#8217;s wonderful vocals, Orlando Canto&#8217;s emotional flute parts and Pupy&#8217;s amazing piano solos &amp; catchy riffs, to name a few major points.<br \/>\nThe song will be covered several times later (surprise surprise! \ud83d\ude42 ), but I like the original version best&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/UOKJeSkw1PY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Next in line is yet another piece to remember (they just keep coming!), from 1984 &#8211; Anda, Ven y Muevete, being the hit title track of a hit albums containing many wonderful compositions such as the lyrical and melodic <a href=\"https:\/\/www.youtube.com\/watch?v=a1cVw8cRAS4\">Sera que se Acabo<\/a>, the socially oriented\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=p9kgAxPLvlk\">La Habana no Aguanta Mas<\/a>\u00a0and of course, the title track:<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/cBN9FVRsMuY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The next few years brought with them many hits, some of which will often be quoted by other bands later on, during the Timba era, as the musicians of those days grew up with the music of Los Van Van from the 1980s.<br \/>\nThe most popular and well known of these include <a href=\"https:\/\/www.youtube.com\/watch?v=TPhIV3gdcus\">El Carcinero<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=yJCmq6L4fTw\">El Buena Gente<\/a> (considered to be\u00a0one of Pupy&#8217;s major hits of all times) and <a href=\"https:\/\/www.youtube.com\/watch?v=QRAnkGgOLkk\">Se Muere la Tia<\/a>.<br \/>\nNext in line is the 1986 Eso Que Anda, containing many dance floor hits such as <a href=\"https:\/\/www.youtube.com\/watch?v=4aMo1r_G79k\">y ya tu Campana no Suena<\/a>,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=5dVqIluO45o\">No es Facil, que no que no<\/a>\u00a0(a personal favorite of mine, by the way&#8230;) and the title track of the album&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/PeSJOv_15xQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Before we get to the 1988 masterpiece titled &#8220;Songo&#8221;, a few honorable mentions:<br \/>\n1) a song that would become a Van Van classic, and also one of Pupy&#8217;s trump cards, later covered by Timba virtuoso Isaac Delgado.<br \/>\nThis is <a href=\"https:\/\/www.youtube.com\/watch?v=9dX_S8ckODM\">La Titimania<\/a>, which even has a nice video clip \ud83d\ude42<br \/>\n2+3) from the funnily named &#8220;el negro no tiene na&#8221; of 1988 come yet another Songo classic, <a href=\"https:\/\/www.youtube.com\/watch?v=Ccy0KE2o0SI\">Se Acabo el Querer<\/a> and the super romantic hit Este Amor que se Muere (and yes, these 2 are also high on my favorite list!)<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/PSjDactOL0U\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Songo, which came out in 1988, is an album not known for any innovative compositions;<br \/>\nIt actually has nothing new to offer in that field.<br \/>\nIt is rather known for the fine quality of the New York studio equipment where it was recorded, and the wonderful chemistry ever so evident in the re-recorded versions of such hits as Sandunguera, Anda Ven y Muevete, La Titimania and Ya Tu Campana no Suena.<br \/>\nThis album was the first step in introducing Los Van Van to US and many other audiences outside of Cuba, and is definitely not the last time for the band to come to the USA.<br \/>\nHere is an example that you can compare to the 1983 original:<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/x49bspe8l8k\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The last album of the decade is also a great one, and things just keep getting better and better as we move on to the 1990s and the Timba era&#8230; but before that, when Timba was still in its infancy, Los Van Van created an unfortunately\u00a0little known masterpiece called &#8220;Rico Son&#8221; or &#8220;Cronicas&#8221;, that came out in 1989.<br \/>\nThis album should be known by any Timba fans out there, as it can be considered one of its roots, with such compositions as the wonderful descarga &#8220;<a href=\"https:\/\/www.youtube.com\/watch?v=5RSLWUE8lWQ\">Yo Se Que Van Van<\/a>&#8220;, the witty and hard hitting &#8220;<a href=\"https:\/\/www.youtube.com\/watch?v=ODjnKl3X_eA\">Tranquilo Mota<\/a>&#8220;, and the true gem of the album, the amazing &#8220;No Soy de la Gran Escena&#8221;, a true Timba masterpiece before Timba was established as a genre, with bloques and gears, some of which even include&#8230; Classical music, and a healthy dose of social context&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/dq0B3xfa_yw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"text-decoration: underline;\">From Songo to Timba to&#8230;? the 1990s and beyond!<\/span><\/p>\n<p>This decade, with the quick rise of Timba and its great many innovations, had seen Van Van rise again, together with the new wave of primera linea bands, this time around as a Timba Juggernaut!<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full\" src=\"https:\/\/i.ytimg.com\/vi\/3zbOfK0f2l4\/maxresdefault.jpg\" width=\"1280\" height=\"720\" \/><\/p>\n<p>But before the band produced some of the most well known Timbas in existence, we can still hear some great &#8220;transitional&#8221; compositions, that are definitely Songo on one hand, but are definitely different, on the other hand, when compared to their\u00a0predecessors from the 1970&#8217;s or early 1980s.<\/p>\n<p>The decade starts with the amazing Aqui el Que Baila Gana, a dual CD albums, considered by many to be Los Van Van&#8217;s best album of all time.<br \/>\nIt contains great many (and quite varied) &#8220;Songo-Timba&#8221; hits such as\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=MoXmoBxtMU0\">Ahora Dime Si Me Quieres<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=S2nw7Wr72ZM\">Esto Si Es Distino<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=06HkqTwiXFQ\">Esto Esta Bueno<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=hBQfr7fO0qk\">Me Basta Con Pensar<\/a> (yes, <a href=\"https:\/\/www.youtube.com\/watch?v=oHaBlrT3BuQ\">covered<\/a> once more recently) and the title track, and also some peeks to other genres, with a\u00a0Merengue-Son named <a href=\"https:\/\/www.youtube.com\/watch?v=fpuPqSAJaHY\">Bailando Mojao<\/a> and a Lambada named <a href=\"https:\/\/www.youtube.com\/watch?v=VFA1H5j7Y9s\">Solo Queria Bailar Lambada<\/a>.<br \/>\nThe title track is also a masterpiece&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/XX1Vv1OFUFc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The next album, the 1993 Azucar, is considered by many to be Van Van&#8217;s entry move into the realm of Timba, or at least a departure from\u00a0the Songo genre for quite a while.<br \/>\nThe album&#8217;s most notable compositions are <a href=\"https:\/\/www.youtube.com\/watch?v=SrD3iCGCu1Q\">Esperando Llamada<\/a>, for its\u00a0mellow groove and trombone parts; the amazing Que Le Den Candela, which is on one hand a throwback to the times when Son was all the rage, yet on the other hand contains some &#8220;proto-guias&#8221; in the end, a clear Timba element; and last but not least, the title track, a solid dance hit that will sure get your heart pumping blood fast, if not from excitement than from its fast tempo!<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/GeeHH0AMqqk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The mid 90s saw\u00a0the release of a\u00a0&#8220;lo ultimo en vivo&#8221; in 1994, which apparently was recorded at La Tropical, but not as a concert at all.<br \/>\nNotable compositions are\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=kBgw9Fsh31U\">Que Tiene Van Van<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=zb0VN2wo1O4\">Un Socio<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=n0CcplwZQMI\">Mandalo y\u00a0Ven<\/a>, and the most memorable for me, Que Sorpresa<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/t0nc6wU0WT4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Now, as 1996 drew in, the band truly had entered the Timba era with Ay dios, Amparame!<br \/>\nIf you remember, I mentioned earlier in this post that using Afro Cuban themes in contemporary\u00a0Cuban music has been popular for many decades, even centuries, with the latest manifestation starting in the 1980s.<br \/>\nIn this album we see one of the greatest Timba hits of the decade and all time, which is also one of the most well known tracks about Santeria and Afro Cuban traditions in general&#8230;<br \/>\nThis is Soy Todo, which also goes by the same name as the albums itself.<br \/>\nThe album&#8217;s Afro Cuban theme also continues on the secular side, with a cover of the 1980 &#8220;<a href=\"https:\/\/www.youtube.com\/watch?v=Q_-32ro8IVk\">de la Habana a Matanzas<\/a>&#8220;, with Mayito&#8217;s great Rumbero vocals.<br \/>\nOther notable tracks are many, including the Romantic <a href=\"https:\/\/www.youtube.com\/watch?v=izHewiWQafQ\">Deja la Ira<\/a>, the nice Son <a href=\"https:\/\/www.youtube.com\/watch?v=hkWEx8lsoVE\">Hay Mujeres<\/a>, and the lengthy yet groovy <a href=\"https:\/\/www.youtube.com\/watch?v=2MlvdP5bOjU\">De Igual a Igual<\/a>.<br \/>\nAnother favorite of mine, which is often neglected (again, for no good reason whatsoever), is <a href=\"https:\/\/www.youtube.com\/watch?v=bzu3tIUcPR0\">Camina Pa&#8217; que te Conozcan<\/a>.<br \/>\nBut as mentioned before, the &#8220;star&#8221; of this album is the title track, which IMO is even more amazing in live versions&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/DA2sakL_FEc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>In 1997, as Timba entered into high gear (pun intended! \ud83d\ude42 ), so did Los Van Van, with Esto Te Pone La Cabeza Mala&#8221;, producing a &#8220;Timba anthem&#8221; if there ever was one&#8230; even though Van Van is rarely credited with the &#8220;creation&#8221; of Timba, the band sure gave a fair share of contribution to the genre&#8230;<br \/>\nThe albums includes great tracks of all kinds and flavours, from romantic ones such as\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=pP-4oF07pYE\">Ella Tiene Algo Que No Se<\/a> or <a href=\"https:\/\/www.youtube.com\/watch?v=3SvpkH8BUOw\">Que Pasa Con Ella<\/a> (which is romantic yet a more uptempo) to hard hitting, dance floor dominating hits like <a href=\"https:\/\/www.youtube.com\/watch?v=8xswMGHIR8U\">El Tren Se Va<\/a> and of course, <a href=\"https:\/\/www.youtube.com\/watch?v=qnMwXo6mHmY\">Ni Bombones Ni Caramelos<\/a>, another gem by Pupy.<br \/>\nYet once more, the most memorable and adored composition of the album is the title track, which for ever resides deep down at the heart of each and every Timba fan out there&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/0TvrHC4qtgA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>As the decade draws to an end, Los Van Van just can&#8217;t stop making hits, one album at a time.<br \/>\nThey call Van Van &#8220;el tren bala de la musica Cubana&#8221; for a reason!<br \/>\nWith 1999 together came yet another hugely successful album, Llego Van Van, the band&#8217;s 30 year anniversary project&#8230; can you blame it for being so damn good?<br \/>\nIt even won the Grammy that year.<br \/>\nEach and every track on this albums is worth listening (and dancing) to, and if possible, at least twice or trice \ud83d\ude42<br \/>\nSo instead of listening them all by name, I will just put it here, as a playlist (which is, unfortunately, only partial. But you can find the rest of the track of <a href=\"https:\/\/www.discogs.com\/Los-Van-Van-Llego-Van-Van\/release\/1128060\">this album<\/a> by <a href=\"https:\/\/www.youtube.com\/results?q=los+van+van+llego+van+van\">searching on youtube<\/a>)&#8230; but before I do that, I will mention that Permiso Que Llego Van Van briefly tells the band&#8217;s story, La Bomba Soy Yo makes fun of those who are worth little but claim to be the best, Appapas del Calabar and Somos Cubanos are Afro and Rumba themed, respectively, that Temba Tumba Timba and El Negro Esta Cocinando are romance and food themed Timba classics, and that you could not end the album any better than with Havana City&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/nrZ1P7E8EFI?list=PL_4HzdLMFlg68mAPF1NSx85zIi43QhWyc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Before the millenniums changed, the band got to visit the USA again, this time for a mega concert at the Miami arena, which I highly recommend!<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/EEH7WRNWCSk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Before moving on, I would also like to mention yet another live album, which is also the band&#8217;s first release in the new millennium &#8211; the 2003 live &#8220;en el malecon de la Habana&#8221;, containing some great new material such as Timpop and Mi Mimi, but also great extended versions of hits such as Temba Tumba Timba and Esto Te Pone La Cabeza Mala<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/7gi4plfU3q8?list=PL-QYPAh7r9fysZZIiVsBoQUuQRX9A3SP-\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>As the 2000s progress, Los Van Van releases yet another great album in late 2004, Chapeando, with a rather new line up of musicians;<br \/>\nPupy left to form his own band, replaced by the grandson of legendary Bebo Valdez,\u00a0Roberto Rodriguez\u00a0&#8220;Cucurucho&#8221;, Lele Jr. and Yeni Valdez join as lead vocalists, and Formell&#8217;s son, Samuel arranges the albums, plays the drum kit, and composes 2 of the tracks.<br \/>\nThe album is notable for many great dance floor favorits such as <a href=\"https:\/\/www.youtube.com\/watch?v=55f5ZzziOaU\">Ven Ven Ven<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=XuFP2p9z2Pk\">Corazon<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=GUib0kyOroY\">Agua<\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=N5z7rYrYxCY\">No Pidas Mas Presta&#8217;o<\/a>, the more traditional <a href=\"https:\/\/www.youtube.com\/watch?v=qtyTW3rqJcI\">El Montuno<\/a> and one of the most touching love songs in the history of Cuban music, Despues de Todo<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/WfXgqJhQptA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>As always, the title track does no disappointment to the feet, ears, and this time around, also the eyes, with its beautiful, colourful video clip and Afro mythology coming to life&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/UQ7YPDYACnc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>In 2007 the band recorded (yet again!) its live concerts, and the results are not disappointing&#8230; you should simply clear up 2-3 hours, and take a listen!<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=-y9MX6DEqBE\">Live in Camaguey<\/a><\/p>\n<p>Aqui el Que Baila Gana &#8211; El\u00a0Concierto<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/rV89ldxaVlg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>As yet another decade came to a close, Van Van released Arrasando in 2009, with Formell taking a step back, still arranging and directing, but not playing the bass.<br \/>\nThe album is solid but not known for any masterpieces.<br \/>\nYet still can boast a line up of 4 main vocalists + Formell&#8217;s daughter Vanessa singing the beautiful, groovy, rhythmic and yet romantic\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=wu3uqEe1k6I\">Un Tumbao Pa&#8217; Los Dos<\/a>, my personal favorite of the album.<br \/>\nOther notable compositions are <a href=\"https:\/\/www.youtube.com\/watch?v=eq8QERYJKpo\">La Rumba No<\/a>,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=KuxfEne9-34\">Tu a Lo Tuyo, Yo a Lo Mio<\/a>,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=K1TkeFOnkj4\">Dame la Luz<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=Xs4iO9MO6ps\">Mi Songo<\/a>, and the visually pleasing\u00a0\u00a0Me Mantengo<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/WsM69uvdOaY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Recorded in 2009 yet released only in 2012 is the <a href=\"https:\/\/www.youtube.com\/watch?v=QIjFRAt4OQs\">40 year anniversary concert of Los Van Van<\/a> &#8211; definitely worth listening to if you are a Vanvanero, a fan of Cuban music, or even better, both, as they are not mutually exclusive&#8230; they are mutually inclusive \ud83d\ude09<\/p>\n<p>The next album, released in 2011, is La Maquinaria, featuring some covers of old hits like <a href=\"https:\/\/www.youtube.com\/watch?v=rAs0Q-VmuAA\">Recibeme<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=NeJf0ZWtyBA\">Eso Que Anda<\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=TxPmX1uXLHw\">La Boberia<\/a>, as well as fine original compositions like <a href=\"https:\/\/www.youtube.com\/watch?v=touf8OquBtQ\">Mis Santos Son Ustedes<\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=riUjq6FuSn8\">Que Tiene Ese Guajiro<\/a>.<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=YYlT2nGkjZY\">Final<\/a> is a collaboration with <a href=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=164\">Habana de Primera&#8217;s Alexander Abreu<\/a> on Trumpet doing his usual magic.<br \/>\nMy favorite (with Que Tiene Ese Guajiro a close second place) song from this album is the title track, La Maquinaria, which also has a beautiful video clip<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/oG88pUcHCwU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Last but not least, the most recent release of the band has been a tragic one, as Juan Formell passed away in 2014.<br \/>\nThe album is called La Fantasia, and was released as a homage to the maestro, with some of his greatest hits of all time performed by today&#8217;s members.<br \/>\nI implore you to <a href=\"https:\/\/www.youtube.com\/watch?v=6T1uFBif6zw\">listen to the whole album<\/a>, not only as it is quite good, but also of respect to the legendary man behind Los Van Van, and so much else in contemporary Cuban music&#8230;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full\" src=\"http:\/\/4.bp.blogspot.com\/-IP56K67jSpw\/U2MFYd69qNI\/AAAAAAAAbeE\/n1CkCzJFEU4\/s1600\/formell.jpeg\" width=\"1600\" height=\"776\" \/><\/p>\n<p>Although ending on a bit of a sad note, I hope that each and every one of us learned something today, and can now appreciate this immensely important and talented collection of musicians a bit better&#8230; and\u00a0only time will tell what great compositions we shall be seeing from LVV in the future&#8230; Disfruten!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Good day dear readers, listeners and blog followers! Today we have a special post, dedicated to yet another, the 47th, anniversary of the founding of the legendary Los Van Van (December 4th 1969) ! But before we get into the history of the band and its tremendous impact on contemporary Cuban music, I would like [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/699"}],"collection":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=699"}],"version-history":[{"count":12,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/699\/revisions"}],"predecessor-version":[{"id":711,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/699\/revisions\/711"}],"wp:attachment":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=699"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}