{"id":195,"date":"2013-11-22T13:45:52","date_gmt":"2013-11-22T13:45:52","guid":{"rendered":"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=195"},"modified":"2016-08-12T10:51:45","modified_gmt":"2016-08-12T10:51:45","slug":"22-11-13-orquesta-america-los-marcianos","status":"publish","type":"post","link":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/?p=195","title":{"rendered":"22.11.13 : Orquesta America &#8211; Los Marcianos"},"content":{"rendered":"<p>Good day readers!<\/p>\n<p>Today we go a few decades back in time, to the 1950&#8217;s.<br \/>\nDuring the 1st half of the XXth century, several Cuban rhythms became well known and loved worldwide.<br \/>\nAmong these were the Son, since the 1930&#8217;s, the Mambo since the 1940&#8217;s, and a few years later, from the early 1950&#8217;s, the Cha Cha, with the associated dance, the Cha \u00a0Cha Cha.<\/p>\n<p>This genre of music was created from the Danzon, the 1st national dance of Cuba, by composer, songwriter and violinist, Erique Jorrin, then a member of Orquesta America.<br \/>\nThanks to being rooted in the highly melodic Danzon, Cha Cha music reached an almost perfect balance of Rhythm &amp; Melody, being both Rhythmically sophisticated and Melodically rich and pleasant at the same time.<\/p>\n<p>Orquesta America is (after many years of inaction, it was &#8220;revived&#8221; by some of its former members in the 1990s) a typical Charanga band of its time, and was formed in 1942.<br \/>\nIt played Danzon, Son, Charanga, Bolero and Mambo.<br \/>\nDuring the late 1940&#8217;s, Jorrin started composing Danzon where the musician, and not only the vocalists, sing short refrains in unison during some parts of the song.<br \/>\nJorrin also often ended the songs with a Rumba part, and changed the notes of some of the percussion, creating the famous &#8220;Cha Cha Cha&#8221; sound which can be heard in each bar of the music; This added some rhythmic complexity compared to the Danzon.<\/p>\n<p>The music and the associated dance were big hits, being played on the radio and LP records, with concerts and dance performances being broadcast on TV.<\/p>\n<p>The band split into 2 roughly equal parts after a conflict which happened during a concert tour in Mexico, resulting in Orquesta America, which stayed in Mexico (and later moved to California), and Orquesta America del 55&#8242;, which returned to Havana in early 1955.<\/p>\n<p>After many years of inactivity, resulting from the passing of the &#8220;cha cha cha fad&#8221; in the 1960&#8217;s, the Californian band was restored in the 1990&#8217;s, recording once again.<\/p>\n<p>The song I present you today, &#8220;Los Marcianos&#8221;, demonstrates the timid, (some even say, childish), easygoing and lighthearted manner of Cha Cha music;<br \/>\nThe main characters of the song are the jolly martians, who came to earth in a flying saucer, doing what they love most &#8211; dancing Cha Cha Cha !<\/p>\n<p>So, is there life on mars?<br \/>\nSeems so, and it&#8217;s a very fun life, too \ud83d\ude42<\/p>\n<p>Disfruten!<\/p>\n<p><iframe src=\"\/\/www.youtube.com\/embed\/tVgHUu4jsDM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Good day readers! Today we go a few decades back in time, to the 1950&#8217;s. During the 1st half of the XXth century, several Cuban rhythms became well known and loved worldwide. Among these were the Son, since the 1930&#8217;s, the Mambo since the 1940&#8217;s, and a few years later, from the early 1950&#8217;s, the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/195"}],"collection":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=195"}],"version-history":[{"count":2,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/195\/revisions"}],"predecessor-version":[{"id":644,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/195\/revisions\/644"}],"wp:attachment":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}