{"id":1063,"date":"2018-08-24T09:56:18","date_gmt":"2018-08-24T09:56:18","guid":{"rendered":"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=1063"},"modified":"2018-08-24T09:56:18","modified_gmt":"2018-08-24T09:56:18","slug":"24-08-18-compay-segundo-chan-chan","status":"publish","type":"post","link":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/?p=1063","title":{"rendered":"24.08.18 : Compay Segundo &#8211; Chan Chan"},"content":{"rendered":"<p>Good day dear blog listeners, followers and readers.<\/p>\n<p>Today, just as we did last week with <a href=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=1057\">Eliades Ochoa<\/a>, we shall continue our familiarization with another great figure of Cuban music &#8211; Maximo Francisco Repilado Mu\u00f1oz Tellesmostly known as Compay Segundo.<\/p>\n<p><a href=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z1-1.jpg\"><img loading=\"lazy\" class=\"alignnone size-large wp-image-1064\" src=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z1-1-1024x562.jpg\" alt=\"\" width=\"625\" height=\"343\" srcset=\"https:\/\/salsayo.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z1-1-1024x562.jpg 1024w, https:\/\/salsayo.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z1-1-300x165.jpg 300w, https:\/\/salsayo.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z1-1-768x421.jpg 768w, https:\/\/salsayo.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z1-1-624x342.jpg 624w, https:\/\/salsayo.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z1-1.jpg 1050w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p>With a musical career of over 60 years, and dozens of albums released, Compay Segundo is another pillar of Cuban music.<br \/>\nBorn on Novembre 18th 1907 in Siboney, Maximo started playing guitar and singing at a young age.<br \/>\nHis family moved to Santiago de Cuba in 1916, where he would play at the municipal band, with whom he performed in concert for the first time while at a trip to the capital, in 1929.<br \/>\nMaximo liked the capital much, and moved there 5 years later, in 1934, where he would live out the rest of his days.<\/p>\n<p>His first breakthrough came in 1935, at the band of the famous Guaracha composer Nico Saquino, in 1935.<br \/>\nDuring the 1940s Maximo played the clarinete for the band of Miguel Matamoros, and got to travel outside Cuba, to Mexico, on tour with Benny More.<br \/>\nIn Mexico he met\u00a0Lorenzo Hierrezuelo, and in 1942 the two formed Duo de los Compadres, which achieved international fame soon after.<br \/>\nThe name &#8220;compay segundo&#8221; came from that time, as Maximo was the 2nd voice of the duet.<\/p>\n<p><a href=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z2.jpg\"><img loading=\"lazy\" class=\"alignnone size-large wp-image-1065\" src=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z2-1024x682.jpg\" alt=\"\" width=\"625\" height=\"416\" srcset=\"https:\/\/salsayo.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z2-1024x682.jpg 1024w, https:\/\/salsayo.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z2-300x200.jpg 300w, https:\/\/salsayo.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z2-768x512.jpg 768w, https:\/\/salsayo.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z2-624x416.jpg 624w, https:\/\/salsayo.com\/blogs\/cuban_music_che\/wp-content\/uploads\/2018\/08\/z2.jpg 1600w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p>Later on Compay would play for\u00a0Los Seis Ases, el\u00a0Cuarteto Cubanacan, and would form his own band,\u00a0Compay Segundo y sus muchachos, with whom he would play all over the Caribbean, south America and later Europe.<br \/>\nGlobal fame came to Maximo as a part of the Buena Vista Social Club, with the well known album and film coming out in 1997, followed by several world tours, including a concert before pope John Paul II at the Vatican, and the Grammy award.<br \/>\n<span style=\"font-size: 1rem;\">Throughout his career, compay had a signature instrument he made himself &#8211; a 7 string Tres guitar called &#8220;Armonica&#8221;, which gave his playing style its unique sound.<br \/>\n<\/span><span style=\"font-size: 1rem;\">Maximo passed away at the age of 95 on July 14th, 2003.<\/span><\/p>\n<p>The song presented today is the famous Chan Chan, in its original version &#8211; written and composed by Maximo 10 years prior to the Buena Vista social club, in 1987.<\/p>\n<p>Here is the studio recording<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/mjQrmo37HEs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>And here is a live version, one of the first times the song was ever played!<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/Uot0luZt72A\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>And remember&#8230;<br \/>\n\u00a1Siguen Disrtutando la musica Cubana!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Good day dear blog listeners, followers and readers. Today, just as we did last week with Eliades Ochoa, we shall continue our familiarization with another great figure of Cuban music &#8211; Maximo Francisco Repilado Mu\u00f1oz Tellesmostly known as Compay Segundo. With a musical career of over 60 years, and dozens of albums released, Compay Segundo [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/1063"}],"collection":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1063"}],"version-history":[{"count":2,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/1063\/revisions"}],"predecessor-version":[{"id":1067,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/1063\/revisions\/1067"}],"wp:attachment":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1063"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}