{"id":106,"date":"2013-05-03T13:34:51","date_gmt":"2013-05-03T13:34:51","guid":{"rendered":"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=106"},"modified":"2018-09-07T10:33:38","modified_gmt":"2018-09-07T10:33:38","slug":"03-05-13-maravilla-de-frolida-no-puedo-mas","status":"publish","type":"post","link":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/?p=106","title":{"rendered":"03.05.13 : Maravilla De Frolida &#8211; No Puedo Mas"},"content":{"rendered":"<p>Hi there all.<br \/>\nWe had labor day this week, so happy holiday to all workers!<\/p>\n<p>The band I present here today is one of the oldest ones still active, and one of the most important to the history of Cuban music.<\/p>\n<p>Maravilla De Florida was founded in a small town named Florida, in the Camaguey province of Cuba, at 1948.<br \/>\nIt was a typical charanga band of its time, playing mainly cha cha, bolero, son and charanga music, the genres popular at the time.During the 60&#8217;s and early 70&#8217;s los Maravillas developed their own sound, which was something typical for major Cuban bands in this era of experimentation; while Van Van had musical inspiration from rock&#8217;n&#8217;roll, Reve incorporated Changui, and Irakere built up a mix of son montuno and jazz, los Maravillas kept their accent much on the harmonic part, renovating the traditional charanga sound with new ideas and instrumentation<\/p>\n<p><img src=\"http:\/\/3.bp.blogspot.com\/-m9RwXVqcsn0\/TZu5O-HuRkI\/AAAAAAAAJTg\/5nFKKU1uwa8\/s1600\/back.jpg\" alt=\"\" \/><\/p>\n<p>As it just happens to happen many times, a great leap forward occurs when a grand persona enters the ring &#8211; in the case of los maravillas, it was the brilliant pianist, composer, arranger and songwriter <a href=\"http:\/\/salsalust.com\/blogs\/cuban_music_che\/?p=40\">Manolito Simonet<\/a>.<br \/>\nWhen Manolito took leadership, los Maravillas rose higher at the charts then ever before, topping them for many weeks at a time.<br \/>\nAlthough always leading the way, the decade of 1983-1993 was definitely the band&#8217;s most successful.<\/p>\n<p>In 1993 Manolito left to form a band of his own, Manolito y Su Trabuco, taking almost half of the Maravillas with him.<br \/>\nThis was a harsh blow for the band, and it took another decade to recover from it.<br \/>\nSeveral CDs were released during that time, including a 50 year anniversary CD named &#8220;50 y mas&#8221;, but the band wasn&#8217;t noticed much during these years of the Timba revolution.<\/p>\n<p>But it seems that old heroes never go away&#8230; in 2005 los Maravillas made a big comeback with the release of &#8220;Yo Te Doy La Clave&#8221;, also named &#8220;Luchando Con Fe&#8221;, although the later is a whole different album released 2 years later, in 2007, being recognized as one of the best albums of that year.<br \/>\nNowadays los Maravillas mainly do concert tours allover the world, releasing singles once in a while.<\/p>\n<p>The song I present you here today, No Puedo Mas, is a new hit the band released a few weeks ago; it both conserves their traditional charanga style, with all the flutes and violins, but has many modern Timba elements as well.<br \/>\nAnd some ironic trivia &#8211; there is a special guest on this track; Ricardo Amaray, who&#8217;s the lead singer of Manolito Y Su Trabuco&#8230; after 30 years, history came a full circle.<\/p>\n<p><iframe src=\"http:\/\/www.youtube.com\/embed\/W91VpnqKhLE\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hi there all. We had labor day this week, so happy holiday to all workers! The band I present here today is one of the oldest ones still active, and one of the most important to the history of Cuban music. Maravilla De Florida was founded in a small town named Florida, in the Camaguey [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/106"}],"collection":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=106"}],"version-history":[{"count":2,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/106\/revisions"}],"predecessor-version":[{"id":1073,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=\/wp\/v2\/posts\/106\/revisions\/1073"}],"wp:attachment":[{"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/salsayo.com\/blogs\/cuban_music_che\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}